Publications
Tureck/Bach Urtext Series: Critical - Facsimile - Performance editions
I. Concerto in the Italian Style (BWV 971) Edited for Harpsichord
or Piano.
Schirmer, 1983
II. Lute Suite in E Minor (BWV 996) Edited for Classical Guitar
Fingering - Sharon Isbin
Schirmer, 1984
III. Lute Suite in C Minor (BWV 997) Edited for Classical Guitar
Fingering - Sharon Isbin
Schirmer, 1985
An Introduction to the Performance of Bach
J.S. Bach’s Musical structure Analysis and Performance
Oxford University Press, 1959 (U.K & Europe), 1960 (USA),
English, German, French Second Edition, 1962, 1966 (translations:
Japanese, Spanish; 2002, Chinese)
Book I: Essays on (a) Fingering, (b) Phrasing, (c) Dynamics,
(d) Touch (e) The Function and Use of Pedals, (f) Ornamentation,
(g) Harpsichord, Clavichord, and Piano, (h) Bach's Attitude to Music
and Instruments - and Ours
Music: Application in C Major (S. 994), Chorale " Joy and Peace (S. 212), Musette In D Major (S. Anh. 126), Minuet in G Major (S, Anh. 1 16), Minuet in G Minor S. Anh. 1 15), March in D Major (S. Anh. 122), March in E flat Major (s. Ant). 127), Polonaise in F Major (S. Anh. I 17a)
Book II: Further Notes on (a) Ornamentation, (b) Fingering, (c) Phrasing, Essays on (d) Practical uses of the Pedal, (e) How to Think Contrapuntally, (f) How to Play Contrapuntal Structures, (g) How to Play a Fugue
Music; Two-Part Invention in C Major (S. 772), Contrapuntal Study (arranged Rosalyn Tureck), Three-Part Fantasia In G Minor (s. 917), Four-Part Prelude and Fugue in A. Minor (S. 895)
Book III: Essay on (a) Manuscripts and Editions; Further Notes on (b) Fingering, (c) Dynamics, (d) Ornamentation, Essays on (e) Practical Uses of the Sustaining Pedal, (f) Repeated Sections
Music: Suite in A Major (S. 824), Aria and Ten Variations in the Italian Style (S. 989)
Authenticity, The Boston Conversazioni a modified version of a paper originally presented at the first Boston Conversazione, held at the George Sherman Union Boston University, October 6, 1993. Boston University Press, 1994
Cells, Functions, Relationships in Musical Structure and
Performance
Proceedings of the Royal Institution, Vol. 67 (August 1996).
Oxford Science Press, 1996
Cells, Functions, Relationships in Musical Structure and
Performance
(revised and enlarged)
Interaction, Journal of the Tureck Bach Research Foundation, Vol.
1, 1997
Musical Authenticity: Is it a Legitimate Offspring of Janus?
Interaction, Journal of the Tureck Bach Research Foundation, Vol.
2, 1998
Forthcoming Publications
Autobiography
Works in Progress
The Performance of Bach
Principals and applications for Harpsichord and Piano
Tureck/Bach Urtext Series: Goldberg Variations - edited for
Harpsichord or Piano
Comparative studies of extant manuscripts, structural analysis,
Essay.